摘要
20世纪初是一个大量产生精神"浪子"的时代,作为中国现代文学的开山大师,鲁迅给传统"浪子"形象赋予了更多的现代精神内涵。在鲁迅的文学世界里,作为永世流放的"异乡人","浪子"是寻找的主体,是肩负时代启蒙重任却又置身于虚无之境的知识者。鲁迅笔下的"狂人"、"过客"、"孤独者"等"浪子"群像,也是鲁迅对自我精神形象的变形书写。
The early 20th century is an age of producing a large number of rovers in spirit.The madman is the first modern rover in spirit in modern Chinese literature history.In Lu Xun’s literature world,the rovers as the stranger in exile in spirit for life are the subject to seek and the intellectual taken enlightening task in spirit wilderness.The series of image of rovers in spirit such as ＂the madman＂,＂the passing traveler＂ and ＂the solitary＂ are the spiritual autobiography of Lu Xun.
出处
《西南大学学报（社会科学版）》
CSSCI
北大核心
2010年第5期170-173,共4页
Journal of Southwest University(Social Sciences Edition)
关键词
浪子
虚无
狂人
过客
孤独者
rover in spirit
nothingness
the madman
the passing traveler
the solitary
