3Auden, W. H. The Guilty Vicarage[ A]. In The Dyer's Hand and other Essays [ C ]. London: Faber, 1948 : 15.
4Chesterton, G. K. A Defence of Detective Stories [ A ]. In The Art of Mystery Story:A Collection of Critical Essays [ C ]. NewYork : Biblo and Tannen, 1976:6.
4G. K. Chesterton, "A Defence of Detective Stories", in The Art of Mystery Story : A Collection of Critical Essays, Howard Haycraft ed. (New York: Biblo and Tannen, 1976), p. 6.
5Michel Foucault, Discipline and Punish, Alan Sheridan trans. (London: Alien Lane, Penguin Boods Ltd., 1977),pp. 68- 72.
6Theodor W. Adomo, Aesthetic Theory, Gretel Adomo and Rolf Tiedemann eds. ( Minneapolis : University of Minnesota Press,1977), p. 4.
7Thomas de Quincey, "On Murder Considered as One of the Fine Arts", in The Works of Thomas de Quincey, Vol. 6, David Groves and Grevel Lindop eds. (London: Picketing & Chatto,2000), p. 115.
8Julian Symons, Bloody Murder, From the Detective Story to the Crime Novel: A History (Hong Kong: Papermac, 1992), pp. 34-35, p. 41.
9Jacques Lacan: "Seminar on 'The Purloined Letter'", in The Poetics of Murder : Detective Fiction and Literary Theory, Glenn W. Most et al. eds., 1983, pp. 21-54.
10Patricia Merivale, "Gumshoe Gothics: Poe's 'The Man of the Crowd' and His Followers ", in Detecting Texts: The Metaphysical Detctive Story from Poe to Postmodernism, Patricia Merivale and Susan Elizabeth Sweeney eds. (Philadelphia: U of Pennsylvania P, 1999), p. 112.
