蜡染螺旋图案的比较研究——以贵州镇宁布依族与丹寨白领苗蜡染为例

Comparative Study of Swirled Patterns in Wax Printing——With the wax printing of Puyi nationality and Miao nationality in Zhenning Guizhou as the example

以贵州镇宁布依族与丹寨白领苗的蜡染螺旋图案为例,通过蜡染图案的内涵比较、形式分析与应用研究,阐述并论证2个地域、不同民族的蜡染螺旋图案的不同内涵意蕴与形式特征。指出贵州少数民族的蜡染服装及蜡染螺旋图案源于他们的生产与生活,是民族历史的写照与民族文化的传承,其中蕴含的文化内涵、生活哲学与美学意蕴,对于少数民族族群和整个人类社会来讲,是一种无形的财富,一种巧夺天工的艺术,这些都需要我们研究、保护与传承。

With the wax printing of Puyi nationality and Miao nationality in Zhenning Guizhou as the example and through the connotation comparison, style analysis and application study, this paper discusses and demon- strates the different connotation and style characteristics of swirled patterns in wax printing in different nation- alities in these two areas. It points out that the wax printing garments of minority nationalities in Guizhou and the swirled patterns originate from their production and life, which is the portrayal of history and inheritance of national cultures, and for the ethnic minority and whole human society, the cultural connotation, life phil- osophy and aesthetical meaning are invisible treasure and superb art, which all need us to study, protect and inherit.