摘要
绿色设计最初关注的是产品设计的环境和全周期因素,主要体现的是产品设计的科学性问题。然而,随着绿色设计的不断发展,在生态设计观、系统设计观的指引下,人性化设计已经成为绿色设计发展的另一个重要内容。徽派民间图案艺术具有文化载体功能和艺术性较强的特点,具有很强的审美价值、文化价值和人文价值,可通过打破平面和立体的界限、有保留地创新应用、使用功能的扩大和改变,将其有效地应用到绿色设计中,以满足产品设计的科学性和艺术性兼备的需求。
Green Design is firstly concerned with the environment and the factor of whole product design cycle, which primarily reflecting the issues of scientific design. However, with the continuous development of green design, under the guidance of the concepts of ecological design and system design, humanization design has become another important element of green design. Anhui folk decorative pattern art carries the cultural and artistic characteristics, with strong aesthetic value, cultural value and humanization value, which can break the restraint of two and three-dimensional boundary. By innovative applications with reservations, using the function of the expansion and change, it can be effectively applied into the green design to meet the scientific and artistic needs of product design.
出处
《包装学报》
2010年第3期70-73,共4页
Packaging Journal
基金
国家社会科学艺术学基金资助项目(08BF35)
关键词
徽派民间图案
绿色设计
系统设计观
人性化
Anhui folk decorative patterns
green design
system design concept
humanization