摘要
在文学史上悲剧随时代的发展而不断演变。现代悲剧的主人公往往只是一些普通人物,它更多地把我们引向对社会本身的思考。菲利普·罗斯的《愤怒》是一个地道的现代悲剧,其主人公马科斯与他人、社会的冲突不仅架构了悲剧主体,而且充分表现了马科斯的悲剧性格。悲剧意识是悲剧作家创作的必备前提,《愤怒》中的悲剧意识表现在宿命观、自我意识和悖论上;而其深层意义则在于,战争是造成悲剧的根本原因。这种悲剧意识也是犹太大屠杀在作者意识中的延续与回荡,是作者忧患意识的一部分。
In the history of literature tragedy has been developing as times go on. Heroes of modern tragedies are often ordinary people who will lead us to think over our society. The novel Indignation by Philip Roth is truly a modern tragedy in which the hero' s conflicts with others and society not only construct the body of the tragedy but express the hero's tragic character. Tragic consciousness is the precondition for creative writing, which in Indignation is mainly manifested in fatalism, self-consciousness and paradox and its profound meaning is that war is the essential reason of the tragedy. The tragic consciousness is continuity and echo of the Holocaust in Roth's mind and also related to Roth's anxiety.
出处
《常熟理工学院学报》
2010年第7期73-76,91,共5页
Journal of Changshu Institute of Technology
关键词
悲剧
冲突
悲剧意识
命运
悖论
战争
大屠杀
tragedy
conflict
tragic consciousness
destiny
paradox
war
the Holocaust