摘要
宋代人物画创作中出现了明显的向世俗题材拓殖的现象,促成了风俗画的大量出现。尘世百态、民俗事象成为当时风俗画中常见的描绘题材,这类绘画创作在取材、立意和表现方法上充满世俗趣味,在人物画发展史上具有鲜明的特色。风俗画与院体画、文人画等一起,共同构筑了宋代绘画的整体风貌,从而也为我们全面而深入地认识宋代人物画创作提供了新的视点。
The figure paintings of Song Dynasty obviously turned to the secular subject matter, leading to the rise of large amount of genre paintings. The various aspects of life and folk customs became the common subject matter of paintings at that time. Those paintings were full of worldly interest with respect to choice of subject matter, conception and representation and have distinctive characteristics in the history of figure painting. The genre paintings and paintings with academic style, along with paintings of man-of-letters, jointly constitute the overall style of the paintings of Song Dynasty, thus providing us a new perspective of acquiring a comprehensive and in-depth understanding of the figure paintings of Song Dynasty.
出处
《阅江学刊》
2010年第5期106-111,共6页
Yuejiang Academic Journal
基金
安徽省教育厅高校优秀青年人才基金项目(2009SQRS015)
关键词
宋代人物画
风俗画
世俗题材
figure painting of Song Dynasty
genre painting
secular subject matter