摘要
日本动画巨匠宫崎骏一直以鲜明的想象力和深刻的人文精神影响着观众,他的动画作品以奇思妙想的情节、瞬息万变的画面和鲜活明朗的姿态融合了梦想、环保、人生等主题,成就了超越文化的"世界语"表达。2008年出品的《悬崖上的金鱼公主》更是以奇幻的视听风格和延续的内容表达,体现了沉寂4年之后的宫崎骏在故事设置、制作技术、主题选取等方面的自我回归。
Japanese animation master Hayao Miyazaki has been affecting the audience with his distinctive imagination and pro-found humanistic spirits.He integrates dreams,environmental protections and theme of life into his works combining creative scenarios,constantly changing frames with vivid and clear attitudes,which accomplishes the beyond-culture universal lan-guage.In 2008,Miyazaki producedPonyo on the Cliff,which has fancy audio-visual style and continuous expression that symbolizes Miyazaki’s self-regression in story setting,producing technique and subject consideration after having been un-known to the public for 4 years.
出处
《辽宁师范大学学报(社会科学版)》
2010年第5期108-111,共4页
Journal of Liaoning Normal University(Social Science Edition)
关键词
宫崎骏
回归
人与自然
家庭
Hayao Miyazaki
regression
man and nature
family