中韩家庭剧婚姻背叛叙事的文化伦理

Cultural Ethics of Marital Betrayal Narratives in China and South Korea

在传统、现代、后现代的伦理视野中,有些夫妻关系处于婚姻背叛的不稳定状态。中韩家庭剧较好把握了夫妻关系在历史转型期的变化,对婚姻背叛给予较大的关注,而对背叛婚姻的叙事反映了两种不同的文化伦理取向。中韩家庭剧婚姻背叛的叙事基本采取一男二女的人物关系模式。但是婚姻背叛的叙事情节和风格不同,中国家庭剧强化尖锐爆发性的矛盾冲突;韩国家庭剧采取含蓄的叙述方法,而且尽量弱化和净化正在进行的婚姻背叛的情节。对成为过去式婚姻背叛的态度,中韩家庭剧存在较大的差异,中国家庭剧一般相对"宽容",而韩国家庭剧则是严厉的谴责和批评,这与各国不同的叙事伦理和文化个性有关。

From the traditional,modern,and postmodern ethic perspective,some of the marital relation-ships are in an unstable state of marital betrayal.Family drama of South Korea and China better grasps the change of relationship between husband and wife in the historical transition period,paying more attention to the betrayal of marriage,but the two nations are different in their marital betrayal narratives which reflect two different cultural and ethical orientation.Basically family drama of South Korea and China adopts the rela-tional schema with one man and two women in marital betrayal narratives.But the two nations are distinct in narrative plot and style： a Chinese family drama strengthened sharp outbreaks of conflicts;Korean family dra-mas take implied narrative method,and try to weaken ongoing marriage betrayal plot.As to the past marriages betrayal,the dramas of South Korea and China show opposite attitudes with the Chinese family drama ＂rela-tively＂ tolerant in general,and the Korean family drama severely critical,which are related to the different narrative ethics and cultural personalities.