论塔尔寺羌姆——“法王舞”的构成要素及其美学价值

Research into the Component Elements and Aesthetic Value of Qiangmu——Fawang Dancing in Taer Lamasery

宗教乐舞羌姆——"法王舞"是塔尔寺绚丽多彩的宗教文化艺术作品中富有独特魅力和独特艺术特征的作品,它集绘画、面具、服饰、音乐、舞蹈等艺术手段及藏传佛教仪式为一体,以动态雕塑的形式、理性的构思、严谨的结构秩序、精湛的工艺手法,惟妙惟肖地创造出对护法神的构想塑造及对藏传佛教生命观的深刻解读与表达。尽管"法王舞"是一种宗教仪式形式,表现了一定的宗教观念,宗教精神、宗教情感和宗教教理。但生命感受脉络是以崇仰意向、生存欲求、审美情绪三个层面为主体的交合结构。因此,在"法王舞"的创作、表演过程中,自始至终都蕴藏着藏传佛教独特的艺术创作技法、手段,古老、质朴、简洁、凝重的创作意识与审美理念。

The Qiangmu is a bright and colorful religious works of cultural and art form in Qinghai Ta’er Lamsery,which has unique charms and characteristic of art.It is a kind of art form and ceremony of Tibetan Buddhism,which consists of painting,face masks,,dresses and personal adornment,music and dance,showing in the form of dynamic carve and mould to express their understanding about way of life.Although Qiangmu is kind of ceremony to express the religious ideas and spirits,it embodies a structure of faith,,survival and aesthetic.Therefore in the process of performing,it also shows unique creating consciousness and aesthetical ideas.