对中国“艺术区现象”的思考

Thought about"Artists' District Phenomenon"in China

当今,在中国各地都分布着性质各异的艺术家聚集地,中国艺术区迅速发展是当代艺术模式化发展的必然结果,也是艺术与市场互动中的主要派生物。然而,仔细审视发现潜在危机——艺术家抛弃自身固有生活模式的同时也就放弃了艺术语言本身,更多地投入到以集体运作的"大一统"之中,风格的缺失和面目的重复成为当代艺术最大的弊端。文章就艺术区的形成与发展,艺术区在市场运作、经营、利用上对艺术家创作、艺术品价值和社会产生的影响所带来的利弊,作出分析,提出警示。

Today the diverse nature of artists＇ districts are distributed throughout all parts of China.The rapid development of China＇s art district becomes inevitable and still the main derivatives between art and market interaction. But the potential crisis is that artists abandon the inherent lifestyle and also give up the art of language itself, putting themselves into the collectively-operated ＂universal＂, while lack of style has become the largest shortcoming of the contemporary art. This paper makes an analysis and warning for the pros and cons brought about by artists＇ creation impact on the artwork value and society.