摘要
南齐谢赫在《画品》中首次提出了"六法"论,成为中国美术史上影响最深远的美学理论之一。"六法"是一个非常严密的理论体系,六法之间的辩证关系也较为复杂。在具体应用中,"六法"包含两重意义,即绘画技能和品评要素。作为绘画技能来讲,六法之间没有主次之分,都是绘画创作的必要技能之一;但作为品评来讲,六法之间的关系随时代而变化,基本上呈现出渐重"气韵生动"而轻"骨法用笔"和"应物象形"的趋势。
Xie He first put forward 'The Six Methods' theory in his 'Hua Pin',which became the most influencing aesthetic theory in Chinese art history.It is a very strict theoretical system,and the dialectical relationships among the 6 elements are complicated.In practice,'The Six Methods' embodies two meanings,i.e.painting skills and appreciation factors.For painting skills,there are no priorities;however,for appreciation purposes,the relationships among the six methods change over time,which is putting more stress on liveliness and less stress on 'bone-method' and 'symbolizing'.
出处
《山西大同大学学报(社会科学版)》
2010年第4期101-104,共4页
Journal of Shanxi Datong University(Social Science Edition)
基金
山西大同大学青年科学研究项目(2007Q06)
关键词
谢赫
六法
辩证关系
创作
品评
Xie He
the Six Methods
dialectical relationships
creation
appreciation