20世纪上半叶中国画学研究探析

A Probe into Chinese Painting Studies in the First Half of the 20th Century

中国画论是中国画学的主要研究对象,中国画学是它的学科性称谓。作为最具民族特色的绘画理论,中国画论的系统性、丰富性、完整性、实践性与学科性,是世界上其他民族难以企及的。它不仅是世界艺术理论的重要组成部分,更是中国绘画创作实践的基石。中国画论的自发性写作由来已久,而作为学科其自觉性的理论研究还是在明代以后。明清之际是中国画学研究的酝酿期,学科特征初显。20世纪上半叶诸多学者、画家的不懈探讨,无异使它的学科性质更加明朗,为我们今天的画学学科建设奠定了宝贵的学术基础。

Chinese painting theory is the focus of interest in the studies of Chinese paintings,and Chinese painting studies is an academic term in this regard.Endowed with unique national features,Chinese painting theory is unparalleled in the world for its unique qualities of systematicity,exuberance,wholeness,practicality,and academicism.It is not only an indispensable component of the theories of world arts,but also the cornerstone of Chinese painting creations.The spontaneous composition of Chinese painting theory dates back to a long way ago,but conscious studies of Chinese painting theory as a discipline began after the Ming Dynasty.The time during the Ming and the Qing Dynasties had witnessed the origination and early development of Chinese painting studies.In the first half of the 20th century,due to the unrelenting explorative efforts of many scholars and painters,Chinese painting studies has established itself more as an academic discipline,which later on laid a solid foundation for today＇s curriculum construction of Chinese painting studies.