解构与建构——冯小刚贺岁片中女性形象的分析

Destructing and Constructing:Analysis of Female Images in Feng Xiaogang's New Year Films

在商业经济大潮下,男性电影文本中的女性形象多半沦为欲望的代码,跳不出性别刻板印象的束缚。然而,冯小刚导演近十年创作的多部贺岁片展示了新的女性形象塑造趋势,一方面,影片对以往的女性形象进行解构,并弱化了传统的两性关系;另一方面,影片也着力建构崭新的女性形象,展示了更加多元化的女性社会角色。尽管受到其商业属性的束缚,影片中的女性仍然未能完全逃脱"女人被讲述和被窥看"的模式,也未完全突破传统男权话语,但影片依然展示了女性谋求独立生活、生存和发展的巨大空间。

Under the commercial influence tide,the female images in masculine movie texts mostly become code of desires,which cannot get rid of the tie of sexual stereotypes.However,the new year films directed by Feng Xiaogang have shown a new tendency in shaping new female images： on the one hand,his films destruct the former female images and break the traditional sexual relationship;on the other hand,his films also struggle to construct brand new female images to display more diversified female roles.Though confined by their business nature,the females in his new year films still cannot get rid of the mode of ＂female being spoken of and peeped＂,neither do they break the traditional masculine speech power,they still display women who seek for scope for an independent life,survival and development.