摘要
虚实对偶范畴从老子的哲学领域和孙子的军事理论借用到书法艺术中,在书法的用笔中表现在执笔的方法和运笔时笔锋和纸面的相互关系中,还涉及到虚腕、虚肘、虚身的说法,在字结构中表现在字内空间要留有空白,在章法中表现在作品整体上的布白处理和空间关系。揭示这一问题,可以提升我们对中国书法的认识,并能为中国书法的未来发展打开一条思考的路径。
The void-solid antithesis,introduced from Lao Tzu Philosophy and Sun Tzu Tactics into calligraphy,refers to the techniques of writing and the relationship between the stroke and the principal plane,the void of the movement of the wrist,the elbow,and the body.It also refers to the situation of the structure of Chinese characters： the void inside the character,the void in the textual composition and spatial relations.The revelation helps to better understand Chinese calligraphy and to develop Chinese calligraphy in the future.
出处
《湛江师范学院学报》
2010年第4期133-136,共4页
Journal of Zhanjiang Normal College
关键词
虚实
对偶范畴
书法美学
现代反思
void-solid
antithesis
calligraphic aesthetics
modernist reflections
