巴洛克文学的民间意识与狂欢精神——以《痴儿西木传》为观照

The Folk Consciousness and the Carnival Spirit of Baroque Literature——With Der Abenteuerliche Simplicissimus by Grimmelshausen as Example

巴洛克文学的民间意识和狂欢精神是通过狂欢化语言和狂欢化人物形象来作为表现载体的,具体体现在:文本通过全民性狂欢节庆的描写,意欲建立一个乌托邦大同世界;借助表层粗鄙放诞的欲望叙事,折射深层的精神需求和宗教关怀;而双重或多重情感态度与价值意义的探索,则展现出巴洛克文本对人的存在状态的多方观照与体认。

The folk consciousness and the carnival spirit of Baroque literature are usually expressed and reflected through the carnival language and the carnival characters as carriers and vehicles in the literary texts. The abstract ideas of the folk consciousness and the carnival spirit are embodied and exposed to the readers in the text through the concrete description of universal carnival festival by which a utopian world of great harmony is intended to be established; through the surface level of the narrative with laissez-faire,grotesque,and vulgar desire by which the pursuit of the spiritual needs and religious care at the deep level is achieved; and through the exploration of the different attitudes,different feelings,different values,and different meanings by which the issues of human existence are reflected upon from different perspectives.