摘要
日语动词连用中顿形需要从语义与文体两个方面进行研究。从使用频率、结构和意义用法,对日本明治时代作家的文学作品中出现的连用中顿形使用状况进行统计分析,结果显示:(1)明治时代作家的作品在使用连用中顿形上形成一个在固定结构上使用频率由高到低、语义与结构受限制由大到小的梯度;(2)连用中顿形的使用存在着两种不同的使用原理——匀整性原理和多样化原理;(3)选择不同使用原理的动机在于追求不同的审美效果;(4)从语义与文体的交点对连用中顿形进行考察可以更好地把握语义的动态。
The infinitive form of verb in Japanese should be analyzed from the interface of meaning and style. In this paper the usage of infinitive form of verb in the novels written by three great writers of the Meiji era in Japan is analysed in terms of its frequency,structure and meaning,which shows:1) infinitive form of verb in the novels forms a gradience from high frequency in fixed structure to low,a continuum of restrained usage from more to less in structure and meaning; 2) there are two principles in the usage of infinitive form of verb:namely symmetry and variety. 3) the motive of the alternatives in the two principles comes from pursuing the different aesthetic effect; 4) the emergence of meaning can be better understood from the interface of meaning and style,when we study the infinitive form of verb.
出处
《华侨大学学报(哲学社会科学版)》
2010年第3期125-132,共8页
Journal of Huaqiao University(Philosophy & Social Sciences)
基金
国务院侨办科研基金(08QSK08)
关键词
连用中顿形
“て”形
语义动态
统计分析
infinitive form
te-form
emergence of meaning
quantitative analysis