摘要
当代中国戏剧努力破除"情节中心"的艺术魔咒,把戏剧还原为多色彩、多层次、多变化、多主题、立体化的场面流体,大胆进行各种全新的场面组合实验,形成多点跳跃式、片段拼贴式、重复叠加式、自由延伸式等场面组合新形态,拓展了戏剧的艺术空间。
Contemporary Chinese drama has been making great efforts to get rid of the "plot centered" miracle curse,and restore drama as a flow of sceneries featured with multi-color,multi-level,diversified,three dimension and variety of themes.Bold and innovative experiment of scenery combination has been carried out,creating many new combination forms such as "multi-focus jumping","fragments pasteup","repeating and duplicating","free extension" etc.,thus greatly expanded the artistic space of drama.
出处
《南京师范大学文学院学报》
CSSCI
2010年第3期122-125,共4页
Journal of School of Chinese Language and Culture Nanjing Normal University
基金
江西省社会科学研究"十一.五规划项目""叙事学意义的话剧文体特征研究"(编号:08WX07)
东华理工大学校长基金项目"场面魔方--当代中国实验戏剧艺术向度考察"
关键词
戏剧
场面
艺术实验
drama
scenery
artistic experiment