“众大”与“大众”,勃兴与规范——网络时代诗歌发展的出路

"Public" and "Popularity",Rise and Regulation:The Outlet of Poetry in the Internet Age

以"第四媒体"网络为依托的诗歌,从备受关注到趋于平淡,它的存在已经不置可否。它与以纸质为媒介的新诗相比,无论是创作主体还是受众的数量都有很大的差异,但这并不代表以网络为依托的新诗就是一种诗歌的新的突破。尽管多数学者乐观地认为这是一次诗歌空前狂欢的盛宴,却不得不面对这样一个事实:网络时代的诗歌并没有在这种盛景下再度掀起大众对诗歌的狂热追逐——纸质传媒时代曾经有过的辉煌。这其中的原因除了市场经济对人本位的冲击外,恐怕最深层的还是新诗自身发展的病态——借助政治的力量和"大众"联盟,换来的却是一种被利用的"活跃"与和平的"消沉",因此笔者大胆认为网络时代诗歌真正的勃兴还远没有到来,寻找出路才是当下的题中之意。

The poetry,born from ＂the fourth media＂,has developed from focus to dullness.Compared with the new poetry which takes the paper as the medium,it stands out in terms of its author or audience quantity.But this does not mean it is a breakthrough in the poetry history.Although most scholars think optimistically this is a unprecedented grand feast of poetry,we have to face this fact that the poetry in the network age has not gained great popularity,which paper media once saw in its glorious time.For one reason,market economy brought impact on the idea of people-orientedness,For another,it resulted form its morbid self-development： Although it has drawn support from the political strength and the mass,it can not escape form exploitated activeness and peaceful depression.Therefore it is argued that the true vigorous network poetry has not yet arrived,and a way out should be sought.