摘要
莱辛的《拉奥孔》打破了传统的诗画同一说,具有巨大的理论价值和时代意义。这种诗画异质论与中国的诗画合一论形成对立与互补,对于诗画艺术民族特性的研究具有重大启示。而从西方现代、后现代诗画关系的新变中,则可以窥见两种艺术之间界限的消泯趋势。将莱辛的观点放置于这种不同的时空背景下进行审视比较,有助于探讨总结诗画艺术的本质特性和时代特点。
Lessing's Laocoon breaks through the traditional homogeneous theory of poetry and painting,which is of great theoretical value and time significance.Such kind of heterogeneous theory of poetry and painting opposes and supplements the Chinese homogeneous theory,and it has great enlightenment to the researches on the national identity of poetries and paintings.Moreover,from the new changes in the relation between paintings and poems in modern and post-modern western countries,the perishing trend of the boundary between these two forms of art can be observed.To assess and compare Lessing's view in these different spatial and temporal backgrounds is conducive to studying and summarizing the essential features and new changes of poetry and painting.
出处
《安庆师范学院学报(社会科学版)》
2010年第7期118-122,共5页
Journal of Anqing Teachers College(Social Science Edition)
关键词
莱辛
诗画
时间
空间
Lessing
poem and painting
temporal
spatial