摘要
从诗歌的政治美学角度观察,翟永明早期诗歌带有假动作色彩。通过收集、甄别和分拣翟永明诗歌中的假动作成分,可揣摩这些假动作的发生学意义,并考察它们的使用价值和交换价值,以及最终消逝的过程。我们还可以辨识出这些几乎被指认为翟永明诗歌写作特征要素的假动作成分是如何与时代发生关系,听命于时代总语法的指令和召唤的。诗人依靠对假动作的施展和抛弃,推进了个人诗学的完臻,并且展示她力图深入时代核心的写作追求。
From the aspect of political aesthetics, Zhai Yongming' s early poetry was with the shade of fake actions. By collecting, distinguishing and picking up the elements of fake actions, the embryological significance of the fake actions could he figured out, and their use value, exchange value and even the process of their disappearance could be examined. We could recognize how the elements of the fake actions, which were almost referred to as characteristics of Zhai Yongming' s poetry writing, were related with the contemporary world and served instructions and summons from the language principle. By using and discarding those fake actions, the poet found a way to make her poetry perfect, and express her pursuit of writing deep into the era.
出处
《江汉大学学报(人文科学版)》
2010年第5期11-16,共6页
Journal of Wuhan Institute of Education