摘要
《一江春水向东流》作为蔡楚生电影艺术的巅峰,是其"中和之美"艺术思维的集中体现。它将一般的伦理批判引向更加深刻的社会现实批判,温情中有警示,谴责中有理解;将现实主义与民族风格有机结合,既体现时代精神又兼顾传统文化,主题严肃表现却不失活泼,风格既雅又俗,混融无间,对此后中国电影民族化风格的形成产生了积极而深远的影响。
As Cai Chusheng's most famous work,the movie the Spring River Flows East gives a concentrated illustration of his artistic thinking of the beauty of harmony.This concept leads the common ethical criticism to the profound social criticism,inserting warning in warmth and understanding in condemning.It integrates realism and national style,serious theme and flexible expression form to reflect the spirit of the times as well as traditional culture.The whole style of the movie is both refined and popular,exerting a positive and far-reaching impact on the formation of nationalization style of Chinese movies.
出处
《浙江艺术职业学院学报》
CSSCI
2010年第2期64-68,共5页
Journal of Zhejiang Vocational Academy of Art
关键词
中和之美
伦理批判
民族风格
the beauty of harmony
ethical criticism
national style