摘要
明代,美术文献创作繁盛。《铁网珊瑚》开创了一种新的体例——题跋集录体。阐述这种体例产生的背景和原因,指出它是中国古代文人抄书文化的衍生,是传统鉴藏体著录书的补充;同时,考察题跋集录体美术文献的特征以及它对后世同类文献写作的深刻影响。
The Chinese document of fine arts reached its full flourish in the Ming dynasty. Zhu Cunli＇ s Tie Wang Shan Hu started the new style of compiling annotations of works of calligraphy and painting. The paper analyses the background and cause of this style. As a supplement of the traditional art collection records, it derived from the culture of book-copying. The paper also deals with the main char- acters of this style, its important role in the history of Chinese document of fine arts and its significant influence in the aftertime.
出处
《图书情报工作》
CSSCI
北大核心
2010年第19期141-144,共4页
Library and Information Service
