论海德格尔关于文艺的神性维度之思

On Heidegger’s Thought of Literary Devine Dimensions

在当代文化语境下探究海德格尔关于文艺的"神性维度"之思,是一个极具理论价值和现实意义的课题。海德格尔在关于文艺本质的沉思和对里尔克、特拉克尔尤其是荷尔德林诗歌的阐释中,为我们提供了丰富的关于文艺的"神性维度"的思想资源。关于此在存在及其存在真理的"存在之思"为其提供了生存论—存在论基础,神圣者双重缺失的"贫困时代"和单纯技术的白昼的"世界黑夜时代"所存在的问题为其提供了社会现实基础,"人的诗意地栖居"的生存理想为其提供了内在动力。海德格尔的"叛教"只是因为他不能认同作为绝对信仰强加给人的"上帝"观念,他的"清除"工作旨在为期待中的"上帝"的降临重新奠基和开路,因此与他强调文艺的"神性维度"并不矛盾。

Study on literary ＂divine dimensions＂ under the contemporary cultural context is of enormous theoretical value and practical significance. Heidegger offers profound thought resources on literary ＂divine dimensions＂ when illustrating Rilke＇s, Trakl＇s, particularly Hoelderlin＇s poems. The ＂thought of being＂ which is about the ＂dasein＇s being＂ and the ＂being＇s truth＂ provides the founda- tion of ontological-existential theory. The destitute time of holy double absence and the ＂dark ages＂ of daytime of the technology provide the social reality; the dream of ＂person＇s poetical dwelling＂ provides internal drive. Heidegger＇s ＂apostasy＂ roots in his inconformability that the concept of ＂God＂ is imposed by definite faith, and his ＂cleansing＂ work is intended to pave the way for the incoming expected ＂God＂. Therefore, it is not contradictory for him to stress literary ＂divine dimensions＂.