摘要
本文旨在探讨比较文学的自身形构、比较诗学在比较文学研究中的地位和作用以及比较文学与人文科学的关系。比较文学经历了三个发展阶段:自在的译介阐发实践、自觉的关系研究和自为的比较诗学。其中比较诗学是比较文学的自身反思和自我立法的灵魂,包括诗学的平行比较、比较诗学关系史研究和比较文学的自身诗学三个环节。比较文学是自身反思和自身实践的;通过自身实践,比较文学为人文科学提供了共通的方法论模型,并作为实践的自我认识成为新时代人文主义的标志和先锋。
This article,beginning with a historical review of the discipline of comparative literature,is intended to reorientate the constitution of comparative literature,the position of comparative poetics in comparative literature,and the relationship between comparative literature and the humanities.As manifested by its own history,which is self-reflective,comparative literature has undergone three stages:1) translation and interpretation as comparative literature in itself;2) self-conscious comparative literature,which focuses on relation studies;and 3) comparative literature for itself or comparative poetics.Comparative poetics makes the soul of comparative literature,through which comparative literature serves as a methodological model for the humanities,represents a new practical philosophy and champions a new humanism.
出处
《北京大学学报(哲学社会科学版)》
CSSCI
北大核心
2010年第5期118-124,共7页
Journal of Peking University(Philosophy and Social Sciences)
关键词
比较文学
比较诗学
人文科学
方法论
人文主义
comparative literature
comparative poetics
humanities
methodology
humanism