摘要
胡经之从来没有把文艺美学看作是僵死的、一成不变的理论。在他看来,文艺美学要发展、深化,就要不断地接近现实,在现实中寻求发展与深化的契机,因此,他提出文化美学的构想。文化美学构想的突出意义在于关注当下的社会现实,试图通过对社会诸种文化现象的考察唤起新的审美精神,从而,推动当代审美文化的发展。
HU Jing-zhi never regarded cultural aesthetics as something dead or changeless.In his view,if literature and art want to further develop,it needs to continually approach reality and seek opportunity for further development in reality.It was under such circumstances that he proposed the concept of cultural aesthetics.The outstanding significance of the conceptualization of cultural aesthetics lies in its concern over the current social reality,to awaken new aesthetic appreciation by examining various cultural phenomena of the society.This will definitely promote the development of contemporary culture of aesthetic appreciation.
出处
《深圳大学学报(人文社会科学版)》
CSSCI
北大核心
2010年第5期120-125,共6页
Journal of Shenzhen University:Humanities & Social Sciences
关键词
胡经之
文化美学
构想
理论意义
HU Jing-zhi
cultural aesthetics
conceptualization
theoretical significance