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寻找经典与当代观众之间的审美共鸣

Seeking the Aesthetic Resonance Between the Classics and the Contemporary Audience
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摘要 今年是现代戏剧大师曹禺诞辰100周年,为此,大连话剧团第五次重排并演出了他的代表作《雷雨》。从接受美学的视角来看,大连版《雷雨》舞台演绎的特点,在于着力寻找经典与当代观众之间的审美共鸣,主要体现在三个方面:一是契合了观众对主题和人物整体观照的思维方式;二是满足了观众对戏剧内向化的美学追求;三是适应了观众当代化了的戏剧审美经验。这些特点,使大连版《雷雨》不仅更加贴近了经典的精神内核,也对观众产生了新的艺术魅力。 It is the 100th anniversary of the modem drama master Cao Yu this year. For this reason, Dalian Opera Troupe re - rehearsed and performed his masterpiece - Thunderstorm for the fifth time. From the perspective of aesthetics acceptance , the characteristics of "Thunderstorm" performed by Dalian Opera Troupe is to seek the resonance between the classics and the contemporary audience, which mainly embodies in three aspects. Firstly, it accords with the audlence" thinking ways of viewing the themes and characters overal. Secondly, it satisfies the audience" aesthetic pursuit of describing dramatically the inner eonfliet. Thirdly, it adapts to the audience's contemporary aesthetic experience. " Thunderstorm" performed by Dalian Opera Troupe not only closes to the spiritual core of the classics, but also produces a new artistic charm to the audience.
作者 张京
出处 《大连大学学报》 2010年第5期55-58,共4页 Journal of Dalian University
关键词 整体观照 内向化 审美经验 overall view the inward aesthetic experience
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参考文献4

  • 1刘莉芳.专访北京人艺第三版《雷雨》导演顾威[N].外滩画报,2005-5-8(B2).
  • 2肖扬,田本相.海上惊"雷雨"人性教科书[N].北京青年报.2007-06-03(C4).
  • 3曹禺.雷雨·序.文学季刊,1934,1(3).
  • 4黑格尔.美学:第3卷(下册)[M].上海:商务印书馆,1981:290-303.

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