摘要
本文通过对二胡协奏曲《江河云梦》的详述,展现了中国民族调式和西方大小调式相结合的手法。体现了二胡新作品的技巧应用与发展。
This paper shows the combined approach of Chinese folk tune style with western major and minor tune style during expatiating the Erhu concerto Jiangheyunmeng. The application techniques and development are embodied in new Erhu works.
出处
《枣庄学院学报》
2010年第4期103-105,共3页
Journal of Zaozhuang University
关键词
江河云梦
二胡协奏曲
音乐律动
旋律演奏
jiangheyumneng
erhu concerto
musical rhythm
melody performance
