摘要
《故事曲》是许林先生的早期作品。许先生通过对民族民间音乐主题进行应用转调、速度变化等旋律写作手法,使民族民间音乐的曲调得到了新的发展;许先生以中国的声调式为基础,广泛引入偏音来丰富民族性和声,通过对民族化和声风格的种种探索、使乐曲的韵味和民族色彩更加浓厚;在曲式结构方面,以西方曲式结构为基础,通过对民族曲式的传承和发展,体现了贯穿中西、不拘一格的音乐思维。
XU LIN became famous for his story melody,of which the composer developed the folk theme with flexing,decorating,transposing and changing of speed.In regard to harmony,with Chinese pentatonic scale as the foundation,XU LIN widely used the chords constructed with intervals of fourth and fifth.He creatively adapted non-pentatonic notes and modes interchangeably with a same key to enrich the folk harmony and folk acoustic style,the ethnical characteristic and charm of the tune become visible.As for the musical structure,standing on the western musical structure,XU LIN inherited and developed the ethnical music,showing his unique and open way of thinking in music.
出处
《北方音乐》
2010年第10期18-19,共2页
Journal of the Northern Music
基金
2007年度文化部文化艺术科学研究项目,项目名称:中国小号作品民族风格研究,项目编号:07DD17
关键词
许林
《故事曲》
旋律
和声
曲式
民族化表现手法
XU LIN
Story Melody
melody
harmony
musical structure
ethnical expression