摘要
话剧进入中国后就开始了民族化进程,1932—1937年定县戏剧实验作为早期民族话剧探索的重要组成部分在舞台演出方面成果显著:创造出追求"观演混合的新演出法",建造了极富伸缩性的新剧场,进行立体的表演,并采用丰富的景色、声响和引领剧情进展的灯光。
A process of nationalization began as soon as the spoken drama was introduced to China. The pioneering experimental drama during 1932 and 1937 at Dingxian was successful in many ways. A flexible theater was created, using the new method of performance with abundant scenes and sounds and leading lamplights to get the stage effect of convergence of actors and audiences. Although the experiment was interrupted by the war, these experiences deserve consideration today.
出处
《戏剧(中央戏剧学院学报)》
CSSCI
北大核心
2010年第3期36-41,共6页
Drama:The Journal of the Central Academy of Drama
关键词
民族戏剧
新演出法
定县戏剧实验
the National Drama of China, new drama stage, the drama experiment at Dingxian