品特戏剧中的女性、女性主义与政治

Female Characters,Feminism and Politics in Pinter's Plays

在品特前、中、后三个时期的戏剧作品中,对于女性问题的态度是发展变化的。前期的女性是妇道的体现者与压迫的受害者,表现出作者对于女性的人道主义同情;中期的女性是道德的反叛者与自我的张扬者,她们以"身体"为武器,颠覆父权制度,表现出激进的女性主义色彩;在后期作品中,品特将女性问题置于更宏观更普遍的与权力相联系的政治问题之中进行考察,将女性划分为政治权力的受害者与附庸者两类,揭示在政治权力的支配与压迫下,女性所遭受的特有肉体与心灵的苦难,进而说明女性所受到的压迫实质上是现存世界上统治者对于被统治者的压迫的组成部分,从而将批判的矛头更加明确地对准一切霸权。

Harold Pinter changed his views on female in his three periods of creative life. At first, Pinter regarded women as victims of men＇s violence and showed his humanitarian sympathy on them. Then, he depicted women as rebels against social moral principles and ethics and expressed some radical feminism. Finally, he divided women into victims and dependants of political power and pointed his finger to hegemony of all forms.