摘要
敦煌佛教壁画背景中的山水画造型,不但受传统哲学思想的影响,而且还受后世文人思想及中原地区传统山水画创作的影响;敦煌壁画中的山水画造型不以单纯地描写自然场景为目的,而是追求人间与佛国精神的相互感应,用自然山川的形象符号,表现人们想象中的佛国世界的景观环境与无穷哲理。
The landscape paintings of Dunhuang Buddhist murals are affected not only by Chinese traditional philosophies,but also by literati thoughts and styles of the Central Plains landscape paintings of that time.Figures of Dunhuang Buddhist murals' landscape paintings do not simply aim to describe the natural scenes,instead,those figures intend to present the interactions between the human world and the Buddhist spirits.With the landscape image symbols,those paintings expressed the fancies of the environment of the Buddhist World and the conceived endless philosophies.
出处
《甘肃高师学报》
2010年第3期75-78,共4页
Journal of Gansu Normal Colleges
关键词
敦煌壁画
山水画
造型思想
Dunhuang buddhist murals
landscape paintings
thoughts of modeling