《文心雕龙》中“神思”范畴的理论渊源与内涵

The Theoretical Contents in the"Wandering Mind"of Carving a Dragon at the Core of Literature

刘勰的《文心雕龙·神思》篇以《文赋》为蓝本,集庄子、曹植、陆机和宗炳等人的文艺思想之大成,创造出一个深刻而完整的"神思"范畴。"神思"范畴阐述了艺术创作思维发展的全过程:创作主体以"虚静"的心理状态为起点,受外物感兴达到"神与物游"的思维状态并获得审美意象,最后创作出具有独创性的文学作品。"虚静"、"神与物游"、"杼轴献功"等与思维相关的概念依次递进并相互统一于"神思"范畴中。

Liu Xie＇s ＂Wandering Mind＂ in Carving a Dragon at the Core of Literature took Lu Ji＇s Wenfu as the original version, and combines the literary thoughts of Zhuang Zi, Cao Zhi, Lu Ji, and Zong Bing to create a pro- found and complete concept of ＂Wandering Mind＂ ,which describes the whole process of the development of artistic thought：the writer starts from a quiet mind;then, stimulated by his interest in the outside world, his spirit begins to travel with the physical world and thus he acquires esthetic images;finally, he creates the literary works with originality. cal world＂, and the category of Concepts related to thinking such as＂ quietness＂,＂ the mental world＇ s integration with the physi- ＂polishing being the focus of literary creation＂ follow one after another and are mutually united in the＂ Wandering Mind＂.