摘要
该文取《悲情肖邦》书中所涉及的波兰舞曲、玛祖卡舞曲两类体裁的作品,通过感性体验和技术分析追寻其悲情所在,进而反观自我。
With Polonaise and Mazurka exemplified in Pathetic Chopin,the author searches for the whereabouts of the Pathetic through perceptual knowledge and technique analysis,as well as with a further reflection on ourselves.
出处
《音乐艺术(上海音乐学院学报)》
CSSCI
北大核心
2010年第3期37-43,共7页
Art of Music(Journal of the Shanghai Conservatory of Music)