摘要
年都乎村每年定期举行"於菟"仪式。"於菟"舞蹈虽然单一,舞蹈动作具有非情节性,但却充满象征性,为"於菟"仪式最终目的服务。舞蹈构成"於菟"仪式的主干部分,是人神关系得到交流、强化,民众凭借神灵威力达到村落"洁净"的核心。"於菟"舞蹈是集体创造的成果,被民众共同认可,超越舞蹈本体,成为一种神圣表达,具有稳定性和规范性。
At the annual Wutu rite in the Nianduhu village, folk beliefs rite and dance is an indivisible whole. Although the Wutu dance movements with the non -plot is single, but full of symbolism, for the ultimate goal of the rite. Being the rite backbone, dances are the core of complete exchange of Man and God, strengthen the relationship between Man and God, clean the village by the gods power. The Wutu dance is the outcome of collective creation, co - sanctioned by the people beyond the dancing body, is a sacred expression. It be of stability and standardization.
出处
《青海民族大学学报(社会科学版)》
CSSCI
2010年第4期35-38,共4页
Journal of Qinghai Minzu University:Social Sciences
基金
国家社会科学基金项目"甘青地区土族民间信仰与构建和谐社会研究"(项目编号:07XMZ008)的阶段性研究成果之一
关键词
年都乎村
於菟
仪式舞蹈
Nianduhu village
Wutu ( 於菟 )
ritual dance