摘要
由禅宗修行经验出发,强调无我、非二元性、无常性以及开放性的"禅宗生态"观,可以运用在电影文本分析上。以李安的《卧虎藏龙》作为个案讨论,《卧》里潜藏的公案结构挑战了传统以剧情为主的观看电影的模式。片中公案式的电影呈现与观看方式将观众从虚构的叙述时间里最终带回到充满生态性的当下时刻去。因此,《卧》可以被视为"禅宗生态电影"的范例。
This paper attempts to formulate a version of ＂Zen ecology＂ that embraces nonduality,impermanence and openness and use it as an interpretive basis for movie analysis.In Ang Lee＇s Crouching Tiger Hidden Dragon（2000）,the hidden Koan structure defies the traditional movie viewing mode that centers on plot.The koan mode of filmic presentation and viewing brings the audience back to the ecological nowness from the illusory dualistic and linear conception of our existence.It is in this sense that the movie can be seen as a paradigmatic example of ＂Zen ecological film.＂
出处
《江苏大学学报（社会科学版）》
北大核心
2010年第5期17-22,共6页
Journal of Jiangsu University(Social Science Edition)
关键词
禅
公案
生态
《卧虎藏龙》
当下
Zen
koan
ecology
Crouching Tiger Hidden Dragon
nowness
