从“铁屋子”到“纸枷锁”的启蒙之路——陈凯歌影片评析

The Process of Enlightenment from "Ferric Rooms" to "Paper Chains"——Comment on Chen Kaige's Films

陈凯歌的影片历来注重人性的启蒙,关注生活在浓郁的中国气息和特有的文化禁锢下人的挣扎与渴望,展现传统文化对人性的束缚。从《黄土地》中无知的被启蒙者翠巧和《霸王别姬》中具有自我启蒙意识的程蝶衣以死逃离了无望的启蒙之路,到《梅兰芳》中梅兰芳蓄须抵抗为日军攻占南京献唱,并于日军投降后重新走上戏台。从中可以清晰地看到陈凯歌影片中一条从被启蒙到具有初步的自我启蒙意识,再到自我启蒙成功的崎岖之路。

Chen Kaige＇s films always focus on humanity enlightenment and human＇s struggle and eager in the shackles of Chinese traditional culture.It can be seen clearly a rugged path from being enlightened and elementary self enlightenment to successful self enlightenment,from the ignorant being enlightened Cui Qiao in Yellow Earth and Cheng Dieyi in Farewell to My Concubine having elementary self enlightenment awareness death on the hopeless process of enlightenment to Mei Lanfang in Mei Lanfang pogonotrophy resistance to sing for Japanese army and reaching stage again after Japanese surrendered.