摘要
在中国现代意象诗学建构中,就意象的生成来说,主要有艾青的感觉生成论、臧克家的生活赐予论、梁宗岱的心物契合论和朱光潜的想象创造论。艾青的感觉生成论和臧克家的生活赐予论都侧重人与生活、人与时代的关系,强调人的主动性、创造性和对生活的感受能力与感应能力,强调人的生活态度和情感态度。梁宗岱的心物契合论是建立在象征主义"契合"论的哲学基础上的,更多地强调个人的经验和内心体验。朱光潜从想象方面来阐释意象的生成,是建立在心理分析的基础之上的。
In the the construction of modern Chinese poetics of imagery,there are mainly four views of formation of imagery:Ai Qing’s perception formation view,Zang Kejia’s life-giving view,Liang Zongdai’s correspondence of heart and material view,and Zhu Guangqian’s imagination creation view.Ai Qing’s perception formation view and Zang Kejia’s life-giving view focus on the relationship between man and life,men and time,attach importance to man’s subjectivity,creativity and ability to perceive life,and pay great attention to man’s attitude towards life and feeling.Liang Zongdai’s correspondence of heart and material view is based on the"correspondence theory"of symbolism and stresses on personal experience and inner feeling.Zhu Guangqian’s imagination creation view is based on psychological analysis and explains the formation of imagery from the aspect of imagination.
出处
《湖南师范大学社会科学学报》
CSSCI
北大核心
2010年第5期116-120,共5页
Journal of Social Science of Hunan Normal University
关键词
中国
现代
诗学
意象生成
China
modern
poetics
formation of imagery