从模仿到超越——上海小校场年画与苏州桃花坞年画

From Imitating to Exceeding-Focusing on the New Year paintings in Xiao Jiao Chang of Shanghai and That in Tao Hua Wu of Suzhou

小校场年画,经历了木刻拓印时期、石版印刷时期和机器胶印时期,这是上海年画所特有的嬗变轨迹。早期的小校场年画,深受苏州年画影响,多为仿冒桃花坞的作品。在苏州画师和工匠的参与下,上海小校场年画逐渐成为中国年画中的一支奇葩。清末民初,新兴的石印年画以其题材新颖、色彩艳丽、物美价廉而盛极一时。在上海小校场石印年画的冲击下,苏州桃花坞木版年画开始走向衰败。

The development of New Year paintings of Xiao Jiao Chang mirrored the specific change of New Year paintings of Shanghai.In its early periods,most of the paintings imitated works of that of Tao Hua Wu in Suzhou.The New Year Paintings of Tao Hua Wu in Suzhou began to decline under the impact of the lithographic paintings of Xiao Jiao Chang.