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欧洲六声转调与中国五声“旋宫”异同辨析

Differentiate and Analyze the Modulation in European Hexachords and Xuangong in Chinese Pentatonic
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摘要 在七声音阶体系建立之前,欧洲音乐的音阶体系是六声音阶体系(A system of hexachords)。六声音阶体系中的六声转调-Mutation,是一种旋律意义的转调,其思维和手法与中国传统音乐一均三宫理论和旋宫转调实践有许多不谋而和之处。本文旨在对这两种异域音乐中的转调现象,从理论和实践两方面进行对比与分析,试图说明两种异域音乐文化中的某种共性特征。 It had been a system of hexachords in European music before the heptatonic scale established. The mutation in a system of hexachords was a modulation with the melodic significance, which both of ideas and technique similar to the theory of Yijun Sangong and practice of Xuangong modulation in Chinese traditional music. For the phenomena of modulation in different music style of foreign lands, the paper comparative analyzed them from both aspects of theory and practice, to showed some certain commonality between two kinds of foreign music cultures.
作者 李兴梧
出处 《黄钟(武汉音乐学院学报)》 CSSCI 北大核心 2010年第4期37-42,61,共7页 Huangzhong:Journal of Wuhan Conservatory of Music
关键词 六声音阶体系 MUTATION “旋宫” 转调 一均三宫 system of hexachords, mutation, Xuangong (transition), modulation, Yijun Sangong
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参考文献5

  • 1李兴梧,马国华,童忠良.试论欧洲早期多声部音乐的结构及其演变[J].黄钟(武汉音乐学院学报),1990(1):84-90. 被引量:2
  • 2[美]格劳特著、汪启章等译.西方音乐史[M].北京:人民音乐出版社,1996.
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  • 4The New Grove Dictionary of Music and Musicians. Edited by Stanley Sadie Macmillan Publishers Limited 1980.
  • 5Harvard Dictionary of Music. 2nd Edition Edited by Willi Apel The Belknap Press of Harvard University Press 1972.

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