同源三态桃花红——关于《桃花红 杏花白》传唱与传承的分析及思考

Analysis and Consideration of Singing and Inherit Blossoms of Red Peach & White Apricot

在当今社会文化生活中传承的《桃花红杏花白》,至少有原始民歌、改编民歌和创编民歌3种形态。它们同时存在、深受欢迎、广为流传,成为了一种受人关注的文化现象。究其缘由,其核心或者说艺术之源无疑是山西左权民间音乐悠久的文化传统与浓郁的地方风格,但是,从音乐表演、艺术创作的角度而言,由内容到形式的不断创新,是使《桃花红杏花白》不断保持与相应时代艺术审美相一致,从而永葆艺术魅力、深受大众欢迎与喜爱的根本原因。

For the song of Blossoms of Red Peach ＆ White Apricot, there are three styles of original folk song, adaptations of traditional tunes and creating one at least. That all of three patterns coexisted and popularized was a kind of cultural phenomenon caused attention. The paper explored the reason of the song well received that based on the folk music of cultural tradition and stronger local style of Zhuoquan in Shanxi, and the author also held that keep on creation from content to form had been a root cause to make Blossoms of Red Peach ＆ White Apricot got artistic charm forever and a favored song welcome by mass.