摘要
模拟音乐在各类琵琶乐曲中,从象征性到几可乱真的不同程度模拟,并不是生搬硬套的或者卖弄技巧的存在于乐曲中,而是有机的结合于乐曲中。它们通过左、右手各种技法的模拟运用,使音乐形象更加逼真鲜明、精彩别致,是乐曲不可分割的一部分。
The imitated sound effects, with degree from token to almost real, which combined the music naturally rather than a gallery shot, are usually used in pipa music. Through the technique of both hands, those kind of sound effects made the imagination of music being more vivid therefore they are inalienable part of the pipa music piece.
出处
《黄钟(武汉音乐学院学报)》
CSSCI
北大核心
2010年第4期174-179,共6页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
琵琶
演奏
模拟音效
技法
传统乐曲
锣鼓音乐
pipa, performance, imitated sound effects, technique, traditional piece, music of drum and gong