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元末明初松江文学综论

On Songjiang Literature in Period of End of Yuan Dynasty and Beginning of Ming Dynasty
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摘要 元末明初的松江文学是一种以地域为界而又极具文化个性的文学现象。此地的文人群体是由松江本籍文人和流寓至松江的外籍文人构成,他们在创作上体现出较为一致的特征:诗人感情的率直真实;诗学取向上的崇尚盛唐,内容上多为吟咏山水、写照社会、宴饮唱和。其发展与社会背景有着紧密联系,可大致分为三个阶段。而元明之际的松江文学对明代文学亦有着重要影响。 Songjiang literature in the period of the end of Yuan Dynasty and the beginning of Ming Dynasty is a literature phenomenon which was demarcated by different districts and had its clear individual character. The community of men of letters in this district consisted of Songjiang native men of letters and the foreign ones who came from other districts. But they had comparatively same characteristics in their writings. For example, the poets all had straightforward and real feelings. They advocated the style of the prcxsperous Tang Dynasty in their poem creation, the content of their most poems is related to chanting mountains and rivers, portraying the society, or poem exchange during feast drinking, and so on. Its development was closely related to the social background, and it can roughly be divided into three stages. But Songjiang literature in this period still had great influence to the later literature in Ming Dynasty.
作者 温晓旭
机构地区 西南大学文学院
出处 《太原大学学报》 2010年第3期25-29,38,共6页 Journal of Taiyuan University
关键词 元末明初之际的松江 结构机制 创作特征 兴衰及背景 影响 Songjiang in the period of the end of Yuan Dynasty and the beginning of Ming Dynasty structure mechanism characteristics in writing rise fall and the background influence
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