摘要
湖南江永女书被称为是世界上唯一的女性文字,具有独特的审美特征与文化内涵。本文从造型与内涵两个角度分析了女书符号与陶瓷设计的切合点,并通过实例阐述了女书符号在陶瓷设计中的继承应用、置换重构、变异延伸、夸张变形等设计方法,有助于女书符号的传承保护与陶瓷的设计创新。
Female script in Hunan Jiangyong is intituled as the only female character in the world, which possesses unique esthetic characteristic and culture connotation. This essay analyzed the corresponding points between the symbols of female scripts and design of ceramic,and by using of actual examples this essay set forth the design methods of succession and application, displacement and reorganization, variation and prolongation, inflation and distortion used for ceramic design of female scripts which contribute to the protection and inheritance of female scripts symbol and design innovation of ceramic.
出处
《佛山陶瓷》
2010年第10期43-46,共4页
Foshan Ceramics
关键词
女书符号
陶瓷设计
传承
womanese script
ceramic design
inheriting
