摘要
20世纪90年代以来,中国先锋戏剧在艺术层面进行了卓有成效的探索,这其中首先是对传统经典文本进行不遗余力的颠覆与彻底解构;其次是借助多样的表现手法将戏剧进行立体化呈现,使戏剧在娱乐性与思想性、舞台性与现实性之间进行饶有趣味的跳接;最后是彻底打破传统常规的戏剧结构,在对其进行颠覆与解构的同时传达出全新的艺术理念。
Fruitful explorations of Arts have been done by China＇ s avant-garde drama artists since 1990s. They first spare no pains to subvert and completely deconstruct traditional and classical texts; then, they present stereoscopic dramas through various techniques of expression, and make drama integrate entertainment with ideology, stage with reality; finally, they thoroughly destroy the conven- tional dramatic structure, and convey brand new artistic idea in the process of subversion and deconstruetion.
出处
《西华大学学报（哲学社会科学版）》
2010年第5期51-57,共7页
Journal of Xihua University(Philosophy & Social Sciences)
关键词
经典文本
解构
表现手法
戏剧结构
classical text
deconstruction
techniques of expression
dramatic structure
