诗词创作的脱铐之舞——谈罗辉先生《诗词格律与创作》的格律观

Chinese Poetry Rules in Poetry Rules and Creation of Luo Hui

传统著作者对于诗词格律的介绍,都将近体诗的不同体式作为基本元素,就首句平仄起收不同分别作以介绍,并将其中格律的变化部分称之为"拗救"。这类著作让读者陷入格律的重峦叠嶂中,反而阻碍了格律的普及和推广。罗辉先生在其著作《诗词格律与创作》中将律诗的四种句型作为基本元素简约地介绍其变化。由于律诗实际上只是这四种句型的轮转,这就使得爱好者掌握了格律的法门。同时作者在诗词创作技法上提出了"有形、有则、有魂"的"三有"原则,从而在创作的形式和内容两方面为诗词爱好者指明了学习和努力的具体方向。

The traditional composer regarding the poetry classical Chinese poetry rules introduction,all makes the modern poetry different writing style as the fundamental element,because the first sentence level tones and oblique tones differently introduced separately,and name the change part of classical Chinese poetry rules for ＂stubborn rescues＂.This kind of work lets the reader fall into confusion of the classical Chinese poetry rules,instead to embarrass the Chinese classical poetry rules popularization and the promotion.Mr.Luo Hui simply introduced its change of the four kind of sentence patterns took the fundamental element in his work ＂Poetry Classical Chinese poetry rules And Creation＂,because Chinese poetry in fact will be only these four kind of sentence pattern rotation,this caused the amateur to grasp the classical Chinese poetry rules method.Simultaneously the author proposed in the poetry content creation ＂has Shape,has rule,has soul＂ the ＂three has＂ principle,thus has indicated the study and the diligently concrete direction in the creation form and the content two aspects for the poetry amateur.