摘要
福建牙雕和木雕一样兴于唐宋、盛于明清。以莆田牙雕为代表的福建牙雕风格独特,为全国四大流派(京、穗、沪、闽)之一。莆田牙雕艺术有三大特色:一是人物精细牙雕工艺。二是人、物巧构,情景交融的组雕工艺。三是精微砚照雕艺。我的牙雕创作注重传承莆田传统工艺,又注意借鉴京、穗、沪风格,还注心研究日本牙雕。同时在本人创办的"湄艺实业"成功再现了原莆田工艺一厂"集师广绎"的协作创新精神。
The same as wooden carving, the ivory carving of Fujian Province was originated from Tang and Song dynasty and flourished in Ming and Qing dynasty. Represented by Putian ivory carving, Fujian ivory carving belongs to the four schools of Beijing,Guangzhou, Shanghai and Fujian. There are three features in Putian ivory carving: fine figure carving, figures in scene and delicate ink-slab carving. My ivory carving creation emphasizes the traditional techniques of Putian, as well as absorbing the styles of the other three schools and the Japanese ivory carving style. Meanwhile, in the enterprise named "Meiyi Industry" established by me, the sprit of collaborative creation of the former Putian arts and crafts factory reappears successfully.
出处
《雕塑》
2010年第5期68-69,共2页
Sculpture
关键词
莆田牙雕
继承
创新
Putian ivory carving, Succession, Innovation