摘要
从1993年《北京人在纽约》开始,海漂剧已经出现了多部影像作品。本文搜集了23部海漂剧作为研究对象,结合类型学、文化学的理论,提出海漂剧的概念,梳理海漂剧的整体概况和演变过程。划分海漂剧创作的三个阶段:引爆期、开拓期和紧瓶期,分析海漂剧创作的演变轨迹:取景地的拓宽,移民心态的转变,旨在丰富中国电视剧的剧种研究。
Since the appearance of 'Beijing Folks in New York' in 1993 there have been many film and television works on the subject of overseas Chinese.This study compiles 23 such titles and looks into their overall characteristics and evolvement by dividing them into 3 stages—the beginning explosion,the development,and the closing up.
出处
《南京艺术学院学报(音乐与表演版)》
CSSCI
2010年第4期151-156,共6页
Journal of Nanjing Arts Institute:Music & Performance
关键词
《北京人在纽约》
海漂剧
演变
'Beijing Folks in New York,' overseas Chinese shows,evolvement