4Hilary Fraser, Beauty and Belief: Aesthetics and Religion in Victorian Literature, Cambridge: Cambridge University Press, 1986, P.1.
5Piet Mondrian, The New Art-the New Life: The Collected Writings Of Piet Mondrian, edited and translated by Harry Holtzman and Martin James, Boston: Da Capo Press, 1986, P.42.
6John Golding, Paths to the Absolute,London: Thames & Hudson, 2000.
7John Golding, Paths to the Absolute,London: Thames & Hudson, 2000.P.319.
8John Golding, Paths to the Absolute,London: Thames & Hudson, 2000.P.169.
9John Golding, Paths to the Absolute,London: Thames & Hudson, 2000.P.28.
10John Golding, Paths to the Absolute, London: Thames & Hudson, 2000, P.15.
3Richard Shusterman, Pragmatist Aesthetics : Living Beauty, Rethinking Art, Second Edition (New York and Oxford: Rowman &Littlefield), 2000, pp. 62-72,12-14.
4《四行论》第68段
5《佛藏经》
6Jacques Derrida, "Limited Inc. ", Glyph 2 (1977), p. 236.
7Maudemairie Clark, "Fdedrlch Nietzsche", in Edward Craig ed, Routledge Encyclopedia of Philosophy (New York and London: Routledge, 1998),Vol. 6, pp. 848-850.
8Hens-Goreg Moeller, "Before and After Representation," Semiotica,Vol. 143 (200S), pp. 69-77.
9J. O. Urmson, Philosophical Analysis : Its Development between the Two World Wars (Oxford: Oxford University Press, 1969), p. 46.
10Richard Rorty, "Pragmatism", in Encyclopedia of Philosophy, Vol. 7, pp. 635-637.
