摘要
对广西壮族二声部及三声部民歌的声部数量及演唱形式、音乐结构形态、旋律骨干音与装饰音的特点、和声与音程的运用及解决等的分析、梳理,试图找出其共性,为进一步了解、发掘、传承、保护和发展我国少数民族优秀的音乐文化遗产尽一份力。
This paper mainly analyses and cards the number of the voice part and form of singing ,music structure formation, thaw, lone of the cantus and grace note, the use and resolving of harmony and tone in order to find out the commonalities, to turther understand.
出处
《内蒙古大学艺术学院学报》
2010年第3期76-82,共7页
Journal of Art College of Inner Mongolia University
关键词
壮族
多声部民歌
形态
Zhuang people
multi - voice part folk songs
formation