摘要
岱庙壁画《泰山神启跸回銮图》作为封禅祭祀文化的重要组成部分,一直以来颇受学术界的关注,但有关壁画绘制年代与壁画主要神祇身份说法不一。本文从壁画与建筑的关系及道教典籍资料出发,对壁画绘制时间及主要神祇身份做出细致考释。
As an important composition of worship culture,the fresco of ＂Taishan God Return Parade＂ in Dai Temple is always being the focus of academic culture.However,the ideas concerning periods and gods＇ identities have no compromise opinions.This paper discusses the relation between fresco and building from the frescos and Taoism files.
出处
《泰山学院学报》
2010年第5期50-53,共4页
Journal of Taishan University
基金
教育部人文社会科学研究项目(09YJC760055)
关键词
岱庙
壁画
道教
神祇
Dai temple
fresco
taoism
god
